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Special Episodes of MAS*H

Over 11 seasons and 256 episodes, MAS*H produced numerous memorable installments that pushed the boundaries of television comedy-drama. Eight episodes stand out as particularly iconic.

"The Nurses" (Season 5, Episode 6, 1976)

This groundbreaking episode, written by Linda Bloodworth (who later created "Designing Women") and directed by Joan Darling, was the *first episode of MASH to be directed by a woman** [6]. It aired on October 19, 1976, and marked a pivotal moment in the development of Major Margaret Houlihan.

The episode centers on a conflict between Margaret and her nurses during a brutal heatwave. When Lt. Baker (Linda Kelsey) is confined to her tent for insubordination, her husband Tony arrives on a 24-hour pass. Hawkeye, B.J., and Radar devise an elaborate scheme to quarantine Tony in Margaret's tent (claiming he has the plague) so the couple can spend the night together. But Margaret decides to bunk with the nurses instead, forcing them to sneak Baker out after lights out.

The next morning, Margaret catches Baker returning to her tent. In the confrontation that follows, Margaret delivers her famous breakdown speech: "Did you ever show me any kind of friendship? Ask my help with a personal problem? Include me in one of your little bull sessions? Can you imagine what it feels like to walk by this tent and hear you laughing and know... I'm not welcome? Did you ever once ever offer me a lousy cup of coffee?"

This was a turning point for the character—Margaret revealed her vulnerability and feelings of isolation from the nurses who never accepted her. It marked the beginning of her transformation from antagonistic figure to a more sympathetic, humanized character.

Loretta Swit named "The Nurses" as one of her favorite episodes, praising its depth and her own emotional performance.

"Goodbye, Farewell and Amen" (Season 11, Episode 24, 1983)

The series finale remains the most-watched scripted television episode in U.S. history, drawing 121.6 million viewers. The 2.5-hour episode aired on February 28, 1983, and featured Alan Alda both starring in and directing [1].

The finale showed each character finding peace: Hawkeye imagines a future without war, B.J. dreams of returning to his family, and Colonel Potter receives news of his granddaughter's birth. The final scene shows Hawkeye leaving the 4077th by helicopter, looking down at rocks spelling "A.S.A.P." (the camp's motto: "Animation, Situation, Action, Propensity"—a running joke throughout the series).

The episode won four Emmy Awards and held the record as the most-watched broadcast in American television for 27 years.

"As Time Goes By" (Season 11, Episode 15, 1983)

This penultimate episode (the second-to-last episode of the entire series) centers on Margaret's idea to create a time capsule for the 4077th, inspired by a newspaper story about a time capsule being buried in the cornerstone of a new Los Angeles skyscraper [7].

Margaret collects official military items: a nurse's manual and an Army field manual. Hawkeye initially mocks the idea but then decides to create his own "unofficial" time capsule with personal items. The two clash until a dramatic subplot unfolds: a helicopter pilot, Lt. Brannum, delivers a wounded soldier (Corporal Stoddard) after being shot by snipers. The bullet hit the helicopter's fan belt, forcing Brannum to fly in 200-yard hops—he'd land, walk ahead to find a safe clearing, walk back, fly to the new spot, wait for the engine to cool down, and repeat. At nightfall, he kept Stoddard warm with a blanket until dawn.

Remarkably, Brannum never mentioned his heroic efforts—he simply got a new fan belt and flew away. When Hawkeye learns the story, he adds the broken fan belt to the time capsule: "The pilot's heroism is something that deserves to be remembered in 100 years."

Other items added to the capsule:

The episode also introduces Soon-Lee, Klinger's future wife, and features the famous dummy hand grenade prank between Rizzo and Winchester. It serves as a beautiful setup for the series finale.

"Abyssinia, Henry" (Season 3, Episode 24, 1975)

This episode shocked America and changed television forever. Lieutenant Colonel Henry Blake (McLean Stevenson) finally receives his discharge and flies home to Bloomington, Illinois. But in the final scene, Radar enters the operating room with devastating news: "Lieutenant Colonel Henry Blake's plane was shot down over the Sea of Japan. There were no survivors" [2].

This was the first time in American television history that a main character departing a comedy series was killed off in such a tragic way. The episode prompted over 1,000 letters to CBS and 20th Century Fox.

Series creator Larry Gelbart explained the decision: "We decided that we would have him die on his way home, because while we spoke of death many times on the series... we thought we'd have his death mean something." The timing was particularly resonant—the Vietnam War had ended just months earlier. Gelbart noted that the same week the episode aired, a real cargo plane filled with Vietnamese children being adopted crashed on a runway in Saigon, killing dozens. The writers hoped this would show they weren't "manufacturing tragedy for exploitative reasons."

McLean Stevenson left the show because he felt typecast and wanted to pursue other opportunities. He had two years left on his contract but wanted out early.

This episode also marked the final appearance of Wayne Rogers (Trapper John), who left the series after Season 3.

"Good-Bye Radar" (Season 8, Episodes 4-5, 1979)

The two-part departure of Gary Burghoff's character was a bittersweet farewell to the beloved company clerk. When Radar learns his uncle has died, he becomes eligible for a hardship discharge [3].

The 4077th plans a huge going-away party, but wounded soldiers arrive just as the celebration begins, forcing everyone to rush to the operating room. The heart-wrenching final scene shows Radar wandering through the empty mess tent, reading a "We love you Radar" banner, saying goodbye to his animals, and leaving his teddy bear for Hawkeye.

The episode earned Writers Guild and Directors Guild Award nominations, and Charles S. Dubin won the Directors Guild Award for his direction.

"Morale Victory" (Season 8, Episode 19, 1980)

One of the most emotionally resonant episodes centers on Major Charles Winchester (David Ogden Stiers) and Private David Sheridan (James Stephens), a concert pianist whose hand was injured in battle [4].

After successfully saving Sheridan's leg, Winchester discovers his patient is a concert pianist whose career may be over. In a powerful scene at the Officers' Club, Winchester gives Sheridan sheet music for Ravel's "Piano Concerto for the Left Hand"—commissioned by Paul Wittgenstein, a pianist who lost his right arm in World War I.

Winchester's monologue has become legendary: "I have hands, David. Hands that can make a scalpel sing! More than anything in my life... I wanted to play. But I do not have the gift! I can play the notes; but I cannot make the music."

The episode concludes with Sheridan playing the Ravel concerto brilliantly with only his left hand, proving that true artistry transcends physical limitation.

"Run for the Money" (Season 11, Episode 9, 1982)

This episode features one of Charles Winchester's most touching moments. Private Palmer (Phil Brock) is a wounded soldier who stutters, and he's mocked relentlessly by his fellow engineers and his commander, Captain Sweeney, who calls him "dumb" and "Porky." Despite having an above-average IQ, Palmer has been called stupid so many times he believes it himself and only reads comic books [8].

Winchester overhears the mockery and confronts Captain Sweeney, warning him that he'll write a detailed report of his "inhumanity" for his permanent record if he hears another unkind word. Then Winchester takes Palmer for what he says are x-rays, but it's really a ruse to have a private conversation. He tries to reassure Palmer that a speech impediment doesn't reflect intelligence, and notices Palmer reads comic books. Winchester confides that he himself reads Captain Marvel, but Palmer is smart enough to tackle real literature—like Moby Dick, which he gives Palmer as a gift (a treasured leather-bound copy).

When Palmer asks why Winchester is being so nice, he deflects and takes him back to Post Op. The episode's final scene reveals why: Winchester returns to the Swamp and listens to an audio tape from his sister Honoria—and we learn that she also stutters. The look of contentment on his face shows his connection to Palmer.

Notably, actor David Ogden Stiers (who played Winchester) stuttered throughout his childhood, adolescence, and early career. He said being an actor helped cure him: "I didn't stutter when the lines were written for me. Without lines to read was another story... I overcame it by not giving up, by continuing to play roles." Stiers explained that Winchester would never admit to acts of kindness—it was part of his "glacial exterior" character trait.

"Bottle Fatigue" (Season 8, Episode 16, 1980)

This episode balances multiple storylines that converge in the operating room. Hawkeye is horrified to discover his monthly bar tab totals $38.20—a staggering sum—and vows to give up alcohol for a week [5].

His sobriety makes him insufferable: irritable, preachy, and annoying to his colleagues. Meanwhile, Charles Winchester receives word that his sister Honoria is engaged to marry an Italian man. His snobbish, bigoted reaction leads him to write furious letters home trying to stop the wedding.

The climax brings both storylines together when a North Korean POW smuggles a live grenade into the OR. Hawkeye grabs the soldier's hands, preventing him from releasing the pin, while everyone sings "Hush Little Baby" to keep the prisoner calm. Father Mulcahy finds the pin and puts it back in the grenade, saving the camp.

Afterward, Hawkeye enters the Officers' Club, orders a drink, then pauses and delivers the iconic line: "I'll be back when I want it, not when I need it."

"Dear Sis" (Season 7, Episode 14, 1978)

Written and directed by Alan Alda, this Christmas episode is structured as a letter from Father Mulcahy to his sister, a nun. Mulcahy feels useless at the 4077th—a crisis compounded when a wounded soldier punches him in triage and he punches back in a moment of rage [1].

Meanwhile, Winchester is miserable about spending Christmas far from Boston. At the camp Christmas party, Radar approaches him with a gift: his old childhood toboggan cap, sent by his mother at Radar's request. Radar reveals it was actually Father Mulcahy's idea to write her [2].

Overwhelmed, Winchester rushes to Mulcahy and stuffs his entire bankroll into the priest's hands: "Here. Buy them whatever they need. [pause] Here! Buy them whatever they DON'T need!" He delivers one of the series' most beloved speeches: "You saved me, Father. You lowered a bucket into the well of my despair, and you raised me up to the light of day" [2].

The episode closes with the entire cast singing "Dona Nobis Pacem" ("Give Us Peace") in the snow—one of the show's most iconic musical moments. The episode ends on a freeze frame with silent credits, a rare departure from the usual format [3].

"Dear Sis" is one of only two MAS*H episodes to feature snow on the compound, the other being "A War for All Seasons" [4].

See also: "Dear Sis" — full episode spotlight


[1] Goodbye, Farewell and Amen - Wikipedia

[2] Abyssinia, Henry - Wikipedia

[3] Good-Bye Radar - Wikipedia

[4] Morale Victory - MASH4077TV

[5] Bottle Fatigue - MASH Fandom

[6] The Nurses - MASH4077TV

[7] As Time Goes By - Wikipedia

[8] Run for the Money - MASH Fandom

[9] Dear Sis - MASH Fandom

[10] Dear Sis - MASH4077TV

[11] MAS*H Season 7 - Wikipedia